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Sir John Serry
Életrajzi adatok
Születési névGiovanni Serrapica
Született1915. január 29.
New York, Brooklyn
Elhunyt2003. szeptember 14. (88 évesen)
New York, Long Island
Pályafutás
Aktív évek1930-2002
Hangszerharmonika, orgona, zongora
Sablon • Wikidata • Segítség


Sir John Serry (Brooklyn, 1915. január 29. – Long Island, 2003. szeptember 14.) amerikai harmonikaművész, orgonista, zeneszerző, rendező és pedagógus, aki számos profi zenekar és dzsessz együttes tagja volt. A rádió és a televízió aranykorában a CBS rádió és televízió hálózatok rendszeres fellépője volt. Emellett a Voice of America kulturális diplomáciai programjaiban is részt vett, ezzel hozzájárulva az amerikai kultúra népszerűsítéséhez a világban.

Életpályája

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Serry több mint hét évtizeden átívelő karrierje során a latin-amerikai zene és a szabad basszusú harmonikát népszerűsítette. Szerepelt a Viva América című rádióműsorban, amelyet a második világháború alatt az Egyesült Államok Külügyminisztériuma a Kulturális Ügyek Koordinátora Irodája keretében élőben közvetített Dél-Amerikába a Voice of America kulturális diplomáciai kezdeményezéseként. A műsor közvetítéseit az 1940-es években az Egyesült Államokban nagy közönségnek mutatta be a latin-amerikai zenét és a mexikói bolerót.

Serry fellépések során nagyzenekarokkal, szimfonikusokkal, rádió- és televíziózenekarokkal, valamint Broadway-zenekarokkal lépett fel a Radio City Music Hallban, a Rockefeller Center Rainbow Roomjában (1935), a Waldorf Astoria Hotel Starlight Roofjában (1936-1937), a Palmer House-ban Chicagóban (1938), a Stevens Hotelben Chicagóban (1938), a Biltmore Hotelben Los Angelesben (1938), a Carnegie Hallban Alfredo Antonini vezényletével (1946), a Plaza Hotelben (1940-es évek), a Town Hallban (1941-1942), a Waldorf Astoria Hotel Wedgewood Roomjában (1948), a Rajah Theatre-ben (1953), az Ed Sullivan Színházban (1959) a CBS televízió számára, az Empire Theatre-ben (New York) (1953), és olyan New York-i kávéházi társasági helyeken, mint az El Morocco, az El Chico és a The Riviera az 1930-as években. Ezen fellépések során olyan neves karmesterek irányítása alatt állt, mint Alfredo Antonini, Mischa Borr, Percy Faith, Shep Fields, Mitch Miller és Andre Kostelanetz.

Carnegie Hall

John Serrapica néven látta meg a napvilágot, Pasquale Serrapica és Anna Balestrieri tizenhárom gyermeke közül a negyedikként. Olasz származású apja 1904-ben és 1914-ben Ellis Islandon keresztül érkezett Amerikába Gragnanóból, Olaszországból. A család élelmiszerboltot nyitott, miután 1905-ben a Navy Streetre költöztek, majd később a Bensonhurst negyed 18th Avenue-jára. Zenei tanulmányait 1926 és 1929 között végezte, harmonika tanára Joseph Rossi volt a New York-i Pietro Deiro Iskolában. Tizenöt éves korában élőben lépett fel a WCDA olasz rádióállomáson. Tizenkilenc éves korára, 1934-ben már tagja volt az Amerikai Zenészek Szövetségének. 1929 és 1932 között Albert Rizzitől zongorázást és összhangzattant, két évig pedig Gene Von Hallbergtől összhangzattant és ellenpontozást tanult. Von Hallberg 1938-ban az Amerikai Harmonika Szövetség társalapítója volt. Hallberg később a Magnante Quartet tagjaként lépett fel 1939-ben a Carnegie Hallban háromezer fős közönség előtt. Tanulmányai során ismerkedett meg Louis Del Monte harmonikással, akihez később életen át ívelő barátság fűzte. Del Monte felébresztette Serry érdeklődését a latin-amerikai zene iránt. Felsőfokú tanulmányait a 1940-es években Robert Strassburg zeneszerző irányításával végezte.

Karriere

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1930-as évek: A big band korszak

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Rainbow Room a Rockefeller Centerben, New York City

Az 1938 és 1960 közötti időszakot az Egyesült Államokban az harmonikatörténet egyedülálló, presztízs időszakának nevezték, amikor a hangszer szélesebb körben elfogadottá vált a közönség körében a koncertszínpadokon. Tizenhat éves korában Serrapica már 1931-ben több élő adásban szólistaként lépett fel a New York-i WOV rádióállomáson. Del Monte segítségével Serry a 30-as években folytatta szakmai pályafutását, fellépve Ralph Gomez Tango Orchestra-jával a Rockefeller Center RCA épületének Rainbow Roomjában, majd 1935-ben hosszabb szereplést vállalt ott. Játszott Hugo Mariani Tango Orchestra-jával a New York-i Waldorf Astoria Hotelben, majd ismét Chicagóban Frank Pruslinnel és Syd Fox-szal (1936), valamint Alfred Britóval, kubai zenekarvezetővel New Yorkban (1936) és Misha Borr-ral, a Waldorf-Astoria Orchestra karmesterével. Szólistaként lépett fel társasági eseményeken a Waldorf Astoria Hotel Waldorf Towers-jában és a Starlight Roof-ján a Lester Lanin Orchestra-val. Emellett rendszeresen szerepelt olyan klubokban, mint az El Morocco, az El Chico és a Riviera New Yorkban.

A harmonika "aranykora" 1910-től 1960-ig tartott Amerikában, sok harmonikás ekkor került be a legismertebb tánczenekarokba, jazz együttesekbe és big band együttesekbe. Az évtized végén Serry tagja lett a Shep Fields and His Rippling Rhythm jazz együttesnek, egy országos turné alkalmával - amely élő rádióműsorokat is tartalmazott - a chicagói Palmer House Hotelből és a Los Angeles-i Millennium Biltmore Hotelből az NBC hálózaton keresztül (1937-1938). Ezek a big band távoli közvetítések a Zenith Radiogran technológiáját használták. 1937-ben a Shep Fields Rippling Rhythm Orchestra-val rögzítette a jellegzetes Shep Fields-témát Eli Oberstein számára az RCA Victor Bluebird címkéjén (Victor, BS-017494, 1937). Zenekari szerepléseit dokumentálja a The Big Broadcast of 1938 című film ("This Little Ripple Had Rhythm" és "Thanks for the Memory"), amely 1939-ben elnyerte a legjobb eredeti dal Oscar-díját. A Shep Fields-szel való turné során több népszerű dalt is felvett a Bluebird Records számára, köztük a "With a Smile and a Song", a "Whistle While You Work" és a "Now It Can Be Told" címűt.

Mindössze 23 éves korában, 1938-ban Serry már együttműködött a 20. század elejének több neves harmonikaművészével, köztük Andy Arcarival, Anthony Meccával, Domenic Meccával, Pietro Deiróval és Joe Bivianóval. A hat zenész egyesítette erőit a legendás chicagói Stevens Hotel északi báltermében egy "Harmonika Jamfest" keretében több mint 1000 koncertlátogató előtt 1938 szeptemberében. A koncert Andy Arcari figyelemre méltó koncertje után következett Philadelphia-ban a Music Academy-ben 1938 májusában, ahol a kritikusok dicsérték ragyogó teljesítményét. Néhány hónapon belül Biviano és a Mecca testvérek Charles Magnante-tel, Gene Von Hallberg-gel és Abe Goldmannal együtt a harmonikát először mutatták be klasszikus zenei koncertlátogatók előtt a Carnegie Hallban (1939 április).

The 1940s: The golden age of radio

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Serry married Julia Trafficante in the 1940s and moved to Nassau County, New York on Long Island to raise a family of four children which included John Serry Jr.[1] The original family name of Serrapica was anglicized by John to Serry.[2] He simultaneously undertook private studies with: Joscha Zade in piano (1945–1946); Arthur Guttow, an organist at the Radio City Music Hall (1946);[3] and Robert Strassburg in Orchestration and Advanced Harmony (1948–1950). He specialized in the works of Gershwin, Debussy, and Ravel.[4]

Town Hall in New York City

During the 1930s and 1940s many accordionists emerged as performers on American radio, the new mass entertainment medium of the time.[5] Building upon his concert experiences of the 1930s, Serry entered the golden age of radio performing on the CBS radio network and assisted several concert artists in New York City including the French diseuse Marianne Oswald (aka Marianne Lorraine) in her English speaking debut of "One Woman Theatre" performing the poem Mr. Lincoln and His Gloves (by Carl Sandburg), Never Before (by Archibald MacLeish) and poems by Jean Cocteau and Jacques Prevert at Town Hall (1942).[6][7][8] The concert was hosted by the Free World Association and presented with the patronage of Eleanor Roosevelt .[9][10] This performance was praised in The Players Magazine – National Journal of Educational Dramatics as a "fresh experience and intriguing in its uniqueness."[11] The New York Times described it as being skillfully presented.[12][8] For ten years Serry performed as an original member of Alfredo Antonini's CBS Pan American Orchestra (1940–1949)[13][14][15][16] on the Viva América program for the Department of State's Office of Inter-American Affairs (OCIAA) in support of its cultural diplomacy initiatives.[17] [18][19][15][20][21][22] He also worked with Antonini, Nestor Mesta Chayres and members of the New York Philharmonic in the Night of the Americas Concert gala at Carnegie Hall in 1946.[23][24]

During this period, several international concert musicians also appeared on Viva America or recorded music with Antonini's Viva America Orchestra including:[25] Terig Tucci (1942)[26][27][28][29][30] Juan Arvizu (1940s);[31] Nestor Mesta Chayres (1940s);[32] Eva Garza (1940s);[33][34] Elsa Miranda (1940s),[35][36][37] Los Panchos Trio (1946),[38][39][40] and Manuolita Arriola (1946)[41] Under the supervision of Edmund Chester, these performances were beamed over CBS' Network of the Americas ("La Cadena de las Americas") across the Latin America continent to over twenty countries[42][43] and rebroadcast by the United States Office of War Information and the United States Armed Forces Radio Service.[44][45][42] Performances by members of Antonini's CBS Pan American Orchestra on Viva America have been credited with helping to introduce Latin American music and the Mexican bolero to large audiences in the United States in the 1940s.[46][34]

In addition, Serry also recorded examples of music unrelated to the bolero. During the 1940s he collaborated with the Mischa Borr Orchestra and the vocalist Sidor Belarsky to record several Russian and Ukrainian folk songs for Victor records including: "Dark Night" (Victor 26–5037, 1946) by Nikita Bogoslovsky,[47] "Hobo Song" (aka "Mother") (Victor 26–5036, 1946) by Valery Zhelobinsky,[48] "By the Cradle" (Victor 26–5035, 1946),[49] "Katusha" (Victor 26–5035, 1946) by Hy Zaret[50][51] In 1946 he also made a guest appearance as the "outstanding accordionist of the year" on Gordon Macrae's Skyline Roof broadcast under the direction of Archie Bleyer on the WABC-CBS network and as a guest on the Danny O'Neil Show.[52][53][54] By 1948, he also appeared in concert with Mischa Borr's Orchestra at the Waldorf Astoria Hotel's Wedgewood Room.[55] Sablon:External media

Serry recorded his work "Leone Jump" as a member of the Biviano Accordion & Rhythm Sextette with Tony Mottola on guitar and Angelo Delleria on accordion for Sonora Records in 1945.[56][57][58][59] The album includes performances of "Little Brown Jug", "Golden Wedding", "Swing Low Sweet Chariot", "That's a Plenty", and "The Jazz Me Blues".[60][57] His composition "Fantasy in F" was completed during this decade in 1946.[61] The critic Henry Doktorski has described it as a "novelty piece" and likened it to Zez Confrey's composition "Dizzy Fingers".[62] In 1946 he also appeared in the "Accordion World" concert at Manhattan Center with the accordionists Angello Dellairia and Joeseph Biviano.[63] Later in 1949, the accordionist Joe Biviano collaborated with the RCA Victor Accordion Orchestra to record Serry's composition "Manhattan Hop" for RCA Victor.[64][65] He also recorded several popular songs for Victor Records as a member of the noted Charles Magnante Accordion Band in 1941 including: "Clarinete Polka", '"Halli-Hallo- Halli", "Le Secret" and "Swing Me A Polka".[66] Both Magnante and Biviano were cofounders of the American Accordionists' Association several years earlier in 1938.[67][68]

By the end of the 1930s an "accordion craze" had swept the nation.[69] Numerous accordion studios soon emerged within the major ethnic population centers of the East coast, as well as within the rural South and West with an estimated enrollment of over 35,000 students in 1938.[70][71] As an educator, Serry founded and operated a music studio in Jamaica, Queens in New York City[72] and Long Island, New York.[73] Between 1945 and the late 1980s he provided instruction on accordion, piano, and organ.[26][74] His pupils included Anthony Ettore, president of the American Accordionist's Association,[75] Michael Torello, a composer and accordionist[76][77] and Robert Davine, an accordionist and educator at the Lamont School of Music at the University of Denver[78] as well as his son John Serry Jr.[79][80] During the 1950s one of his students, Roy Appey, emerged as the first prize winner in a performance competition hosted by the American Accordionists' Association.[81] In addition, Serry was invited to contribute to the annual series of Master Accordion Classes and seminars sponsored by the American Accordionists Association in New York City in August 2000.[82] He also published several method books for his elementary, intermediate, and advanced grade students between 1945 and 1955.[19][83][84] In addition, he took note of the limitations imposed by the Stradella bass system during performances of classical music. In an effort to circumvent these limitations, he designed and developed a working model of a free-bass system for the accordion during this decade. It incorporated dual keyboards for the soloist's left hand while incorporating two sets of reeds which were tuned in octaves. This gave the soloist access to a range of tones which exceeded three and one-half octaves.[85][86]

The 1950s: Broadway and television

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Shubert Theatre in New York City
Shubert Theatre NYC

During the early days of network television in the 1950s, Serry performed at CBS as a staff member of the original CBS Orchestra (1949–1960)[4] and an accompanist on several live network television programs including The Jackie Gleason Show in 1953,[4] The Frank Sinatra Show in the 1950s,[4] and on the prime time drama I Remember Mama in 1953 starring Peggy Wood.[87][4] Following introductions by his young son Robert, he was also featured as a soloist on the talent show Live Like A Millionaire on the NBC radio network in 1951.[88][89]

In 1951 he also arranged his compositions La Culebra and African Bolero for solo flute. He dedicated the scores to his close friend Julius Baker, who subsequently performed them on a demo recording.[90][91][92][93][94] In the same year, his photograph was featured within an article about the accordion which was published by the journal International Musician – the official publication of the International Federation of Musicians,[95] along with photographs of such noted accordionists as: Louis Del Monte, Pietro Frosini, Anthony Galla-Rini, Charles Magnante, Charles Nunzio, and Art Van Damme.[96] By 1953, he was also photographed by the Bell accordion company as one of several leading accordion artists along with Tony Lavelli and Vince Geraci.[97]

During this time he also performed under the musical direction of Andre Kostelanetz at CBS.[98] As the first accordionist in the Serry Sextette, he recorded his own arrangements of several popular melodies and classical themes for the RCA Thesaurus electrical transcriptions[99] catalog in 1954 [100][101] during Ben Selvin's tenure as A & R Manager for RCA Victor.[102][103] Performances on the radio also continued during this period and included: appearances as a member of the Magnante Accordion Quartet, on The Lucky Strike Hour, Waltz Time, and The American Melody Hour (1940s). He occasionally substituted for the quartet's founder Charles Magnante.[19]

On the Broadway stage he performed under director Harold Clurman in a production of Arthur Laurents play The Time of the Cuckoo with Shirley Booth and Dino Di Luca.[104][105][106] By 1953, he had also arranged music which was edited by Lawrence Welk and utilized in a course of study for the piano accordion by the U. S. School of Music,[107] which was described years later as the oldest home study music school chartered by the Board of Regents in New York State with a total worldwide enrollment of over one million students.[108] The school also utilized his photograph to encourage enrollment in its course of study for the piano accordion.[109] In the same year, he appeared as a featured soloist at an accordion concert hosted at the Rajah Theatre in Reading, Pennsylvania.[110][105] He also completed arrangements of popular songs for Seeburg's jukeboxes featuring three accordions, violins, vibes, guitar, bass, percussion and piano. Included among them were: I Get a Kick Out of You, Mimi, The One I Love, Swingin' Down the Lane, and Tico-Tico.[111]

In 1956 Serry composed, arranged and performed several compositions for Dot Records (#DLP3024)[112] with Al Caiola and Bernie Leighton on his album Squeeze Play [113][114] during Billy Vaughn's tenure as music director at Dot Records.[115][116][117][118][119] The production received a critical review as a new popular album in The Billboard in 1956 and was cited for establishing a beautiful soothing mood.[120] The album was also critically reviewed in Cash Box magazine later that year.[121] It features his original composition Garden In Monaco which is adapted from the theme of an ancient Italian serenade.[122][123] Serry was applauded for establishing a wide variety of musical moods with grace, while simultaneously emphasizing a relaxed performance style.[121] In 1958 several songs from the album were released once again in France by Versailles records (# 90 M 178) as Chicago Musette – John Serry et son Accordéon.[124][125][126] Dot Records also released several songs from the album in Japan as part of a compilation recording including the John Serry Orchestra and the Billy Vaughn Orchestra (Ballroom in Dreamland, Dot #5006).[127] These activities led to Serry's nomination to the "Who Is Who In Music International" in 1958.[4] His advanced grade composition for accordion, American Rhapsody was completed and published during 1955.[128]

The 1960s: Liturgical organ music

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In 1960, Serry emerged as a performer in one of the first stereo recordings of an accordion orchestra on a major label for Coral Records with such noted instrumentalists as: Joe Biviano, Carmen Carrozza, Angelo Di Pippo and Eugene Ettore.[129][130][131][132] The ensemble of sixteen accordionists utilized modified piano accordions to recreate the orchestral sounds of several instruments while performing classical works by: Rimsky-Korsakov, Carl Maria von Weber, Nicolo Paganini and Pyotr Ilyich Tchaikovsky.[133][134][135] The recording was cited in Billboard Magazine for its high level of musicality.[136]

Several years later, Serry completed his Concerto For Free Bass Accordion in 1966 and subsequently transcribed it for piano in 2002.[137][138][139] As the decade of the 1960s unfolded, however, the general public's interest in the accordion began to diminish in the United States while the popularity of rock music continued to grow.[86][140][141] The ensuing revolution in popular music induced many young people to view the accordion as a "square relic" from their parents' generation which should be replaced by the electric guitar, electric piano and electronic organ.[142][143] As a result, many established accordion studios either diversified or closed down entirely.[144][140]

C.W. Post College, Brookville, Long Island. LOC gsc.5a29157

With this in mind, Serry devoted the remaining thirty-five years of his professional career to the performance of wedding music and liturgical music of the Catholic and Jewish faiths as a freelance organist at the Interfaith Chapel of Long Island University C W Post Campus in Brookville, N.Y. (1968-2002).[145][146][147][148][149] As more rabbis sought to unite couples of different faiths without first requiring conversions in the 1960s and 1970s,[150] he collaborated with several clergymen of both the Jewish and Catholic religious traditions including: Rabbi Nathaniel Schwartz[149] and the Rev. John Heinlein[151][152][153]

During this period, he also transcribed his composition Processional March (1951) from piano for use on the organ in 1968.[154] In the years which followed, he composed several additional liturgical works for the choir of Notre Dame Parish on Long Island including: A Savior Is Born (1991, organ and solo voice), The Lord's Prayer (1992, organ and chorus) and Lamb of God (1994, for choir, flute and brass).[155]

Serry died after a brief illness on Long Island, New York in 2003, age 88.[156]

Performance style

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Several of John Serry's early live performances and recordings were reviewed by critics in such noted magazines as The Billboard, Cash Box and The Players Magazine – National Journal of Educational Dramatics.[120][121][11] His recording with the Biviano Accordion and Rhythm Sextette for Sonora Records in 1945 (Accordion Capers) was reviewed by Billboard magazine, which noted that the music on the album was strictly for listening as opposed to dancing.[59] While accompanying a dramatic vocalist he was cited for contributing to an intriguing and nuanced performance.[157] His recording of Latin American music with the Alfredo Antonini Viva America Orchestra was described as "as amongst the most attractive" by critics at The New Records in 1946.[158] In addition, his recording of classical compositions by Rimsky-Korsakov, Nicolo Paganini. Carl Maria von Weber and Pyotr Ilyich Tchaikovsky as a member of Pietro Deiro's Accordion Orchestra was cited by critics in The Billboard for its high level musicality.[159] His musical arrangements were also cited for using the accordion to convey a variety of musical moods with easy-going grace intended for low-pressure listening.[121] Above all else, he was applauded on his album Squeeze Play for utilizing the accordion to establish a beautiful, relaxed and soothing mood while avoiding a more common type of "show-off" performance.[120][121]

Works

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Compositions and arrangements

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Sablon:External media

His compositions include:

  • Desert Rumba (for accordion, 1939; publisher Antobal Music, 1951)[160]
  • Glissando (for accordion, publisher Biviano Music, 1942)[161][162]
  • Tarantella (for accordion, 1942; publisher Alpha Music, 1955)[163]
  • Valse (Composer Pytor Ilych Tchaikovsky (Opus 39 No. 8), arr. for accordion, publisher Viccas Music, 1946)[164][165]
  • Fantasy in F (for accordion, publisher Viccas Music, 1946)[166][61][167][168]
  • Invitation to Jive (for three accordions, guitar and bass, 1946)[169]
  • Consolation Waltz (for accordion, publisher O. Pagani & Bro., 1948)[170]
  • Uncle Charlie's Polka (for accordion, publisher O. Pagani Bro., 1948)[171]
  • The Bugle Polka (for accordion, publisher O. Pagani Bro., 1948)[172][173]
  • Leone Jump (for accordion, publisher Pietro Deiro, 1956)[60][174][175][176]
  • La Culebra (for accordion, 1950; arr. accordion & flute; 1950, arr. flute solo 1991; publisher Antobal Music, 1951)[177][178][179][180]
  • African Bolero (for accordion, 1950; arr. accordion & flute; 1950, arr. flute solo 1991; publisher Antobal Music, 1951)[181][182][183][184][185]
  • The Syncopated Accordionist (for accordion, publisher/editor Charles Colin, 1952)[186][187][188]
  • The First Ten Lessons for Accordion (for accordion, publisher Alpha Music, 1952)
  • Accordion Method Books I, II, III, IV (for accordion, publisher Alpha Music, 1953)[83][189]
  • Rhythm-Airs for Accordion (editor John Serry, publisher Charles Colin & Bugs Bower, 1953)[190]
  • La Cinquantaine (m. Gabriel Marie, arr. accordion quartet, publisher Alpha Music, 1954)[191]
  • Allegro (m. Joseph Hayden, arr. accordion quartet, publisher Alpha Music, 1954)[192]
  • Top Ten Accordion Solos – Easy to Play (editor: John Serrapica, publisher Alpha Music, 1954)[84][193]
  • Junior Accordion Band Series (arr. accordion quartet, publisher Alpha Music, 1955)[194]
  • Tango Verde (m. Romero, arr. accordion quartet, publisher Alpha Music, 1955)
  • Holiday in Rio (m. Terig Tucci, arr. accordion quartet, publisher Alpha Music, 1955)
  • En Tu Reja (m. Romero, arr. accordion quartet, publisher Alpha Music, 1955)
  • Tango of Love (for accordion quartet, publisher Alpha Music, 1955)[195][196][197]
  • Manolas (m. Escobar, arr. accordion quartet, publisher Alpha Music, 1955)
  • Petite Tango (for accordion quartet, publisher Alpha Music, 1955)[195][196]
  • The Lost Tango for accordion, Words by Edward Steinfeld, 1956)[198]
  • Garden in Monaco (for accordion, publisher Alpha Music, 1956)[195][196][199]
  • Rockin' the Anvil (for accordion, publisher Alpha Music, 1956)[195][196][200]
  • Selected Accordion Solos (arr. accordion, publisher Alpha Music, 1956)
  • Cocktails in Spain (for marimba, percussion, guitar, bass and organ, 1957)[201]
  • Spooky Polka (for accordion, publisher Alpha Music, 1957)[202]
  • Reeds in a Rush (for accordion, publisher Alpha Music, 1957)[203]
  • American Rhapsody (for accordion, publisher Rumbasher Alpha Music, 1957)[204]
  • I Get a Kick Out of You (m. Cole Porter, arr. violins, three accordions, vibes, guitar, bass, drums, piano, 195?)[205]
  • Mimi (m. Richard Rodgers, arr. violins, three accordions, vibes, guitar, bass, drums, and piano, 195?)[206]
  • The One I Love (m. Isham Jones, arr. violins, three accordions, vibes, guitar, bass, drums, and piano, 195?)[207]
  • Swingin' Down the Lane (m. Isham Jones, arr. violins, three accordions, vibes, guitar, bass, drums, and piano, 195?)[208]
  • Tico-Tico (m. Zequinha de Abreu, arr. three accordions, guitar, bass and piano, 195?)[209]
  • Processional for Organ (liturgical bridal march for organ, 1968)[210][211]
  • Falling Leaves (for piano, 1976)[212][213]
  • Elegy (for piano or organ, 1984 Rev. 1994)[214]
  • Three Songs of Love (for voice and piano, poems by David Napolin, 1986)[215]
  • A Savior Is Born (Christmas liturgical for organ & voice, 1991)[216][217]
  • Dreams Trilogy (for solo piano, 1991)[218]
  • The Lord's Prayer (liturgical Lord's Prayer for organ and chorus, 1992)[219][220]
  • Lamb of God (liturgical hymn for choir, flute and bass, 1994)[221]
  • Five Children's Pieces For Piano (for piano, 1996)[222]

Advanced compositions

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Serry's compositions in the symphonic jazz and classical music genres include:[223][210][224]

Discography

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Sablon:External media

  • Squeeze Play – Dot Records (catalogue #DLP-3024) (1956)[4][114][228][229]
  • RCA Thesaurus  – RCA Victor Transcriptions series of over thirty works. John Serry Sr. as a contributing arranger and soloist with The Bel-Cordions accordion Sextette ensemble and Ben Selvin – Music Director (1954).[4][230][231]

[232] List of musical arrangements: Allegro – Joseph Haydn, The Golden Wedding( La Cinquantaine) – Jean Gabriel-Marie, Tango of Love – John Serry Sr., Shine On, Harvest Moon – Jack Noworth & Nora Bayes, My Melancholy Baby – Ernie Burnett & George A. Norton, Singin' in the Rain – Arthur Freed & Nacio Herb Brown, Nobody's Sweetheart – Elmer Schoebel/Gus Kahn, Chicago – Fred Fisher, If You Knew Susie – Buddy DeSylva & Joseph Meyer, Somebody Stole My Gal – Leo Wood, Ta-ra-ra Boom-de-ay – Paul Stanley (composer), Old McDonald – children's music, Beer Barrel Polka – Jaromir Vejvoda/Eduard Ingris, I Love Louisa – Arthur Schwartz/Howard Dietz, Oh You Beautiful Doll – Seymour Brown/ Nat D. Ayer, Chinatown, My Chinatown -William Jerome/Jean Schwartz

  • Ballroom in Dreamland – Dot Records (catalogue # 5006) – a compilation album released in Japan featuring performances of Jazz, Latin and Classical music by the John Serry Orchestra and the Billy Vaughn Orchestra.[233]
  • Pietro Deiro Presents the Accordion Orchestra – Coral Records (catalogue #CRL-57323) – as a member of an orchestra of sixteen accordionists interpreting the sounds of a traditional orchestra in performances of transcriptions from classical music under the direction of Joe Biviano.[234][235][236][237]*:List of musical selections: Danse des Bouffons – Nikolai Rimsky-Korsakov, Beguine di Roma – Joe Biviano, Invitation to the Dance – Carl Maria von Weber, La Cumparsita – musical arrangement by Joseph Biviano, La Chasse – Niccolo Paganini, Danse Chinoise – Pyotr Ilyich Tchaikovsky, Three Blind Mice – musical arrangement by Joseph Biviano, Danse de Marlitens – Pyotr Ilyich Tchaikovsky, Walse de Fleur – Pyotr Ilyich Tchaikovsky, The Flight of the Bumble Bee – Nikolai Rimsky-Korsakov, The Rooster – Joe Biviano, Careless one cha-cha-cha – Joe Biviano

Sablon:External media

  • Accordion Capers – Sonora Records (catalogue # MS 476) – as a member of the Biviano Accordion & Rhythm Sextette. (1947)[59][238][60]List of musical selections: Little Brown Jug- Joseph Eastburn Winner, The Golden Wedding (La Cinquantaine) – Jean Gabriel-Marie, Leone Jump – John Serry, Swing Low, Sweet Chariot- Wallace Willis, That's a Plenty – Lew Pollack, Scotch Medley – folk music, The Jazz Me Blues – Tom Delaney
  • Latin American Music – Alpha Records (catalogue # 12205A, 12205B, 12206A, 12206B) – as a member of the Viva America Orchestra – Conductor Alfredo Antonini (1946)[239]List of recordings: Caminito de tu Casa – Julio Alberto Hernández, Chapinita – Miguel Sandoval, Adios Mariquita Linda – Marcos A. Jimenez, Mi Nuevo Amor, La Zandunga – Andres Gutierrez/Maximo Ramo Ortiz, La Mulata Tomasa – Lazaro Quintero, Tres Palabras – Osvaldo Farres, Noche de ronda – Augustin Lara
  • Granada – Decca Records (catalogue # 23770A) – as a member of the Alfredo Antonini Orchestra with the lyric tenor Nestor Mesta Chayres (1946)[240]
  • Chiquita Banana – Alpha (catalogue # 1001A) – as a member of the Alfredo Antonini Orchestra, conductor Alfredo Antonini, vocalist Elsa Miranda (1946) [241]
  • By the Cradle – Victor Records (catalogue # 26-5035) – accordionist in the Mischa Borr Orchestra, vocalist Sidor Belarsky (1946) [242]
  • Katusha – Victor Records (catalogue # 26-5035) – accordionist in the Mischa Borr Orchestra, vocalist Sidor Belarsky (1946) [243]
  • Hobo Song – Victor Records (catalogue # 26-5036 ) – accordionist in the Mischa Borr Orchestra, vocalist Sidor Belarsky (1946) [244]
  • Dark Night – Victor Records (catalogue # 26-5037) – accordionist in the Mischa Borr Orchestra, vocalist Sidor Belarsky (1946)[245]

Sablon:External media

  • Leone Jump – Sonora Records (catalogue # 3001 B) – as a member of the Biviano Accordion & Rhythm Sextette. (1945)[58][60][56]
  • Clarinet Polka – Bluebird (catalogue # B-11294-A) – John Serry (aka John Serrapica) as a member of the Charles Magnante Accordion Band (1941).[246]
  • Swing Me a Polka – Victor (matrix # BS-067555) – John Serry (aka John Serrapica) as a member of the Charles Magnante Accordion Band (1941).[247]
  • Le Secret – Victor (matrix # BS-067556) – John Serry (aka John Serrapica) as a member of the Charles Magnante Accordion Band (1941).[247]
  • Halli-Hallo-Halli – Victor (matrix # BS-067556) – John Serry (aka John Serrapica) as a member of the Charles Magnante Accordion Band (1941.[247]

Sablon:External media

  • Tres Palabras and Esta Noche Ha Pasado – Columbia Records (catalogue # 6201-X) – as a member of the CBS Pan American Orchestra – Conductor Alfredo Antionini, Vocalist Luis G. Roldan (194?)[248][249]List of songs: Tres Palabras – Osvaldo Farres, Esta Noche Ha Pasado – M. Sabre Marroquin
  • Asi and Somos Diferentes – Columbia Records (catalogue # 6202-X) – as a member of the CBS Pan American Orchestra – Conductor Alfredo Antonini, Vocalist Luis G. Roldan (194?)[250][251]List of songs: Asi – María Grever, Somos Diferentes – Pablo Beltran Ruiz
  • La Palma and Rosa Negra – Pilotone Records (catalogue # 5067 & # 5069) – as a member of Alfredo Antonini's Viva America Orchestra, Vocalists Los Panchos Trio (194?)[252]List of songs: La Palma (Chilian cueca dance), Rosa Negra (Conga)
  • El Bigote de Tomas and De Donde – Columbia Records (Catalogue # 36666) – as a member of the CBS Tipica Orchestra conducted by Alfredo Antonini with tenor Juan Arvizu (194?)[253] List of musical selections: El Bigote de Tomas – Valie, De Donde – María Grever
  • Mi Sarape and Que Paso? – Columbia Records (catalogue # 36665) – as a member of the CBS Tipica Orchestra conducted by Alfredo Antonini with tenor Juan Arvizu (194?)[253]List of musical selections: Mi Sarape – María Grever, Que Paso? – Cortazar
  • Viva Sevilla! and Noche de Amor – Columbia records (catalogue # 36664) – as a member of the CBS Tipica Orchestra conducted by Alfredo Antonini with tenor Juan Arvizu (194?)[253] Musical selections: Viva Sevilla! – Lavidad/Delmoral, Noche de Amor – Tchaikovsky arr.Arvizu/Antonini

Sablon:External media

Filmography

[szerkesztés]

Invention

[szerkesztés]

Serry was granted a patent in 1966 by the United States Patent Office for his design of a protective shield for collapsible toothpaste tubes (US Patent #US3269604).[258][259] A patent for the same design was also granted to him by the Canadian Patent Office in 1966 (Serial #998,449 May 14, 1966).[260]

Publications

[szerkesztés]
  • Serry, John (1935), "The Danzon, The Bolero, The Rumba – The Substitute American Rhythm Emphasis Laid on Going Native", Accordion News[261]
  • Serry, John (1935), "Training: Reading From Piano Scores. Stumbling Cues. Avoid Time Wasters", Accordion News[261]
  • Serry, John (1936), "Chorus", Accordion News[262]
  • Serry, John (November 1937), "Accordions & Orchestras: Past Present & Future", Accordion World.
  • Serry, John (March 1939), "Those Neglected Basses", Accordion World.[263]
  • Serry, John (1947), "What's Wrong With The Accordion", Accordion World.[86]
  • Serry, John (1961), "Jazz And The Student Accordionist", Accordion World.[264]
  • Serrapica, John (1952), The Syncopated Accordionist, Charles Colin.[186]

Archived works

[szerkesztés]

Sablon:External media

  • The John J. Serry Sr. Collection at the Eastman School of Music's Sibley Music Library within the Ruth T. Watanabe Special Collections Department contains selected examples of Serry's original compositional scores, arrangements, LP recordings, reel to reel recording tapes of his performances, biographical articles and other biographical reference materials which have been donated for archival purposes to benefit both researchers and students. The archive includes a copy of his album Squeeze Play and an audio recording of his arrangements for RCA Thesaurus. Researchers may contact the staff archivist directly for further assistance in obtaining copies of scores or reviewing LP recordings.[230][210][265][266]
  • The Discography of American Historical Recordings catalog at the University of California at Santa Barbara includes several of the master recordings of Serry's performances with the Shep Fields Rippling Rhythm Jazz Orchestra in New York City (1937-1938) which are accessible online via audio streaming.[267]

Professional affiliations

[szerkesztés]

Serry was an active member of the BMI, SESAC, American Federation of Musicians (Local #802) (1933–2003),[268][269] and The American Guild of Organists. For a brief period he served as a charter member of the American Accordionists Association (1938). He pursued professional musical studies with: Joseph Rossi (accordion, 1926–1929); Albert Rizzi (piano and harmony, 1929–1932); Gene Von Hallberg (counterpoint and harmony, 1933–1934)[19] (a founder of the American Accordionists Association); Jascha Zade (piano, 1945–1946);[19] Arthur Guttow (organ, 1946), and Robert Strassburg (piano, advanced harmony, and orchestration, 1948–1950).


Fordítás

[szerkesztés]

Ez a szócikk részben vagy egészben a John Serry Sr. című angol Wikipédia-szócikk ezen változatának fordításán alapul. Az eredeti cikk szerkesztőit annak laptörténete sorolja fel. Ez a jelzés csupán a megfogalmazás eredetét és a szerzői jogokat jelzi, nem szolgál a cikkben szereplő információk forrásmegjelöléseként.

Külső Hivatkozások

[szerkesztés]
  1. ↑ Encyclopedia of Jazz Musicians: John Serry – biography of John Serry Jr. one of four children raised by John and Julia Serry on jazz.com
  2. ↑ Encyclopedia of Jazz Musicians: John Serry – biography of John Serry Jr. – the family name of Serrapica was shortened by John Serry Sr to Serry on jazz.com
  3. ↑ The New York Times, November 18, 1945, p. 50
  4. ↑ a b c d e f g h "Who Is Who In Music International 1958", Who Is Who In Music International, Chicago, IL. Biographical File # B11719. See International Biographical Center, Cambridge, England as current publisher.
  5. ↑ Music Around The World: A Global Encyclopedia . Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 3 Accordion performers on the radio: Charles Magnante on Google Books
  6. ↑ "Marianne Lorraine" performs at Town Hall", The Nation, March 7, 1942, p. 10 on archive.ph
  7. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) article2 nevű lábjegyzeteknek
  8. ↑ a b „DISEUSE IN DEBUT HERE; Marianne Lorraine Presents 'One Woman Theatre' at Town Hall”, The New York Times, 1942. március 1.. Sablon:ProQuest 
  9. ↑ Free World Vol. 2 p. 94 "The Free world Association presents Marianne Oswald...John Serry accordionist...Patroness Mrs. Franklin D. Roosevelt" – Free World Association Eleanor Roosevelt Feb. 1942 on Google Books
  10. ↑ Free World – A Monthly Magazine devoted to Democracy, p. 94 "The Free World Association presents...Marianne Oswald...John Serry accordionist...Town Hall, February 28, 1942" Free World Association Marianne Oswald 1942 on Google Books
  11. ↑ a b "Players Magazine: The National Journal of Educational Dramatics...Vols 18-21" --Review of "Miss Lorraine's rendition of poems...against a background of music by distinguished contemporary musicians...John Serry on the accordion" on Books Google
  12. ↑ The Players Magazine – National Journal of Educational Dramatics. National Collegiate Players, 25. o. (1941) 
  13. ↑ Settel, Irving. A Pictorial History of Radio. New York: Grosset & Dunlap, 146. o. (1967). OCLC 1475068  (See the photograph showing Serry seated as the accordionist in the orchestra above the caption "The Latin-American artist Juan Arvizu with the CBS Pan American Orchestra conducted by Alfredo Antonini")
  14. ↑ "A Pictorial History of Radio" by Irving Settel Caption for the photograph of the CBS Pan American Orchestra with Juan Arvizu conducted by Alfredo Antonini on Page 146 on Books.Google. Accessed December 29, 2022.
  15. ↑ a b The New York Times, November 5, 1983, p. 34
  16. ↑ Notes on the album Squeeze Play by John Serry: "John Serry...appeared under the direction of Alfredo Antonini" – See the album on archive.org
  17. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Photograph of John Serry accordionist on CBS' C de Las A program circa 1940s p. 3, Series 3, Collection Box 3, Item 1: The John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music
  18. ↑ Copyright 2018, J. David Goldin. Radiogoldindex.com . [2012. február 6-i dátummal az eredetiből archiválva]. (Hozzáférés: 2018. július 25.)
  19. ↑ a b c d e Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) article10 nevű lábjegyzeteknek
  20. ↑ The New York Times, June 9, 1946, p. 49
  21. ↑ Vargas, Deborah R.. Dissonant Divas in Chicana Music: The Limits of la Onda. University of Minnesota Press, 166. o. (2018. november 26.). ISBN 9780816673162 
  22. ↑ Media Sound & Culture in Latin America & The Caribbean. Editors: Bronfman, Alejandra & Wood, Andrew Grant. University of Pittsburgh Press, Pittsburgh, PA, 2012, p. 49; ISBN 978-0-8229-6187-1 Pan-Americanism & CBS & "Viva America" on Books.Google.com See pp. 48-49
  23. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) article5 nevű lábjegyzeteknek
  24. ↑ New York Philharmonic. archives.nyphil.org . (Hozzáférés: 2022. december 29.)
  25. ↑ CBS Pan American Orchestra, Alfredo Antonini, Terig Tucci, Juan Arvizu, Nestor Chayres, Elsa Miranda, "Viva America" on Books.Google.com See p. 49
  26. ↑ a b Biography, 3. o. (1946. március 1.) 
  27. ↑ The New York Times, January 18, 1942, p. 27
  28. ↑ The New York Times, January 17, 1942, p. 30
  29. ↑ The New York Times, January 16, 1942, p. 19
  30. ↑ The New York Times, January 14, 1942, p. 24
  31. ↑ The New York Times, May 5, 1941, p. 32
  32. ↑ The New York Times, April 23, 1944, p. X5
  33. ↑ The New York Times, January 23, 1944, p. X9
  34. ↑ a b Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) auto8 nevű lábjegyzeteknek
  35. ↑ Media, Sound, and Culture in Latin America and the Caribbean. Pittsburgh, PA: University of Pittsburgh Press, 49. o. (2012. december 18.). ISBN 978-0-8229-6187-1 
  36. ↑ Banana E.T. Proves Good Eating for Elsa Miranda, 3–. o. (1946. február 2.) 
  37. ↑ Bratkovich, Colin. Just Remember This. Xlibris, 173. o. (2014. május 8.). ISBN 978-1-4836-4519-3 
  38. ↑ Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America. Han, Benjamin M. Rutgers University Press, 2022 "Viva America" Edmund Chester and Los Panchos on Google Books
  39. ↑ The Billboard – Music Popularity Charts: Alfredo Antonini and his Viva America Orchestra record album with Los Panchos Trio (Pilotone 5067) November 16, 1946, p. 29 on books.google
  40. ↑ Photograph of Los Panchos Trio and Manolita Arriola on the Viva America Show 1946 on Getty Images
  41. ↑ Photograph of Manolita Arriola and Nestor Chayres for "Viva America" 1946 CBS on Getty Images
  42. ↑ a b OCIAA, CBS' Cadena de las Americas, Edmund Chester, Viva America, Office of War Information & Armed Forces Radio Service Dissonant Divas in Chicana Music the Limits of La Onda. Vargas, Deborah. University of Minnesota Press, Minneapolis, MN, 2012 p. 152-155 on Google Books
  43. ↑ Time – Radio: La Cadena, June 1, 1942 William S. Paley, Edmund Chester, La Cadena de las Americas -CBS broadcast network to South America for news and cultural programs on Content.time.com
  44. ↑ Mackenzie, Harry. The Directory of the Armed Forces Radio Service Series. Greenwood Publishing Group, H 21. o. (1999. november 26.). ISBN 9780313308123 
  45. ↑ The Directory of the Armed Forces Radio Service Series H-21 VIVA AMERICA on Google Book
  46. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) auto9 nevű lábjegyzeteknek
  47. ↑ Victor matrix D6FB-2220 Audio recording of "Dark Night" -vocalist Sidor Belarsky, accordionist John Serry on Discography of American Historical Recordings – University of California Santa Barbara Library. Accessed December 29, 2022.
  48. ↑ Victor Matrix D6FB-2221 Audio recording of "Hobo Song" -vocalist Sidor Belarsky, accordionist John Serry on Discography of American Historical Recordings – University of California Santa Barbara Library. Accessed December 29, 2022.
  49. ↑ Victor Matrix D6FB-2222 Audio recording of "By the Cradle" -vocalist Sidor Belarsky, accordionist John Serry on Discography of American Historical Recordings – University of California Santa Barbara Library. Accessed December 29, 2022.
  50. ↑ Katusha Victor Matrix D6FB-2223 Audio recording of "By the Cradle" -vocalist Sidor Belarsky, accordionist John Serry on Discography of American Historical Recordings – University of California Santa Barbara Library. Accessed December 29, 2022.
  51. ↑ John Serry accordionist, Sidor Belarsky vocalist & Mischa Borr Orchestra recordings listed on The University of California Santa Barbara Library's Discography of American Historical Recordings. Accessed December 29, 2022.
  52. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Item 8 audio disc p. 18 in The John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music
  53. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 4 Recordings: Item 9 p. 18, 12" audio disk of John Serry's guest appearance on the Danny O'Neil Show in the John J. Serry Sr. Collection archived at the University of Rochester Eastman School of music on esm.rochester.edu
  54. ↑ Gordon MacRae Show, the. [2017. március 9-i dátummal az eredetiből archiválva]. (Hozzáférés: 2017. március 8.)
  55. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) google.com nevű lábjegyzeteknek
  56. ↑ a b Leone Jump; Swing Low, Sweet Chariot; The Jazz Me Blues; Nursery Rhymes. Archive.org . (Hozzáférés: 2018. november 26.)
  57. ↑ a b Joe Biviano, his Accordion and Rhythm Sextette: Accordion Capers. Archive.org , 2018. november 26. (Hozzáférés: 2018. november 26.)
  58. ↑ a b The Sonora Label. Campber.people.clemson.edu . (Hozzáférés: 2018. november 26.)
  59. ↑ a b c Record Reviews, 124. o. (1946. április 27.) 
  60. ↑ a b c d Classic Jazz Guitar – Albums, 2002. november 7. [2002. november 7-i dátummal az eredetiből archiválva]. (Hozzáférés: 2018. november 26.)
  61. ↑ The Free-Reed Review- "CD Review: The K Trio" by Henry Doktowski – "Fantasy in F" by John Serry likened to Zez Confrey's "Dizzy Fingers" on ksanti.net
  62. ↑ The Music Magazine/Musical Courier Volumes 133-134 1946 p. 34 Acordion World Concert at Manhattan Center...Joe Biviano, Angelo Dellairia, John Serry accordionists on Google Books
  63. ↑ BnF Catalogue général (francia nyelven). Catalogue.bnf.fr . (Hozzáférés: 2018. július 25.)
  64. ↑ Discography of American Historical Recordings- John Serry - accordionist in "Manhattan Hop" with Joe Biviano and the RCA Victor Accordion Orchestra on uscb.edu
  65. ↑ John Serry (aka John Serrapica) as a member of the Magnante Accordion Band on the University of California – Santa Barbara Library's: Discography of American Historical Recordings at adp.library.ucsb.edu. Accessed December 29, 2022.
  66. ↑ "American Accordionists' Association" Photograph of founding members including Charles Magnante and Joe Biviano, March 9, 1938 on ameraccord.com
  67. ↑ The Accordion of the Americas: Klezmer, Polka, Tango, Zydeco and More! Simonett, Helena. University of Illinois Press 2012 p. 169 ISBN 9780252037207 Citation for Charles Magnanate and Joe Biviano identified as cofounders of the American Accordionists' Association (1939) on Google Books
  68. ↑ A Passion for Polka: Old-Time Ethnic Music in America. Greene, Victor. University of California Press, 1992 pp. 124-125 Accordion craze nationwide on Google Books.com
  69. ↑ A Passion for Polka: Old-Time Ethnic Music in America. Greene, Victor. University of California Press, 1992 pp. 124-125 Accordion craze and accordion studio enrollments soar on Google Books.com
  70. ↑ Music in American Life: An An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture. Edmondson, Jacqueline. ABC-CLIO, 2013, p. 3. "Accordion" – accordion schools appear nationwide enrolling hundreds of thousands of young students on GoogleBooks.com
  71. ↑ "Accordion USA"- A Boy and His Box by Joe De Clemente – John Serry identified as an accordion teacher in Jamaica, Queens in 1961 on accordionusa.com
  72. ↑ The biographical profile on the album Squeeze Play shows "John Serry...devoted himself to the teaching of his chosen instrument" on archive.org
  73. ↑ „Auricle is Gliding with Good Reviews”, Democrat and Chronicle, 1978. július 7., 13. oldal (Hozzáférés: 2018. július 25.) 
  74. ↑ 2005 Honoree – Tony Ettore. [2011. július 7-i dátummal az eredetiből archiválva]. (Hozzáférés: 2011. július 7.)
  75. ↑ UTA Libraries: "Montclair State College School of Fine and Performing Arts Presents The American Society of University Composers Region II Conference" – Biography of Michael Torello – "he moved... to New York City where he studied the accordion with John Serry and later joined the staff at the Serry Studio", Publisher – Montclair State College, New Jersey, 21 February 1987 p. 17 on libraries.uta.edu
  76. ↑ Newspapers Ancestry: "Michael Torello" Obituary, Bennington Banner, Vermont, 7 September 1994 p. 16, " Mr. Torello was an accomplished musician of the contra bass, piano and accordion.... and staff accordionist with Serry Studios in Jamaica, NY", Michael Torello on Newspapers Ancestry
  77. ↑ Robert Davine: 1924–2001. Ksanti.net . (Hozzáférés: 2018. július 25.)
  78. ↑ Interview with John Serry: Can Jazz be a creative progressive art form? February 7, 2018 John Serry Jr. identifies his father John Serry as his first instructor on the accordion at the age of 4-11 on jazzbluesnews.com
  79. ↑ Democrate and Chronicle July 7, 1978 p. 13 John Serry Jr. (pianist) is the son of John Serry -an instructor of piano and accordion, studies accordion at the age of four with his father on democrateandchronicle.newspapers.com
  80. ↑ American Accordionists' Association Newsletter: "AAA Competitions in the '50s", May-June 2020 p. 13 John Serry music studio on ameraccord.com/search.php
  81. ↑ Accordion Weekly News. Accordions.com , 2000. május 19. (Hozzáférés: 2018. július 25.)
  82. ↑ a b John Serry's Accordion Method Book 3 Intermediate Course (1955) on worldcat.org
  83. ↑ a b LC Catalog – Item Information (Full Record) 
  84. ↑ Squeeze This!: A Cultural History of the Accordion in America. Urbana, IL: University of Illinois Press, 61. o. (2012. december 18.). ISBN 978-0-252-03675-0 
  85. ↑ a b c Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) Jacobson2007 nevű lábjegyzeteknek
  86. ↑ Mama. Classicthemes.com . (Hozzáférés: 2018. november 26.)
  87. ↑ Eastman School of Music: Sibley Music Library Special Collections – John J. Serry Sr. Collection Archive: Series 4 Recordings – Item #5, p. 18 Audio Recording of John Serry and his son Robert on the show Live Like A Millionaire. October 22, 1951 the John J. Serry Sr. Collection on Google.com
  88. ↑ Radio: A Complete Guide to the Industry. Richter, William A. P. Lang Publisher. 2006 p. 50 "Radio Talent Shows: Live Like A Millionaire" ISBN 0-8204-8834-8 Live Like A Millionaire Radio Show on google Books
  89. ↑ "African Bolero", "Desert Rhumba" Musical Scores, Composer John Serry, Dedicatee Julius Baker. See John Serry on Worldcat.org
  90. ↑ "La Culebra" Musical Score, Composer John Serry, Dedicatee Julius Baker. See John Serry on worldcat.org
  91. ↑ See hand written dedication notes "written for and dedicated to my friend Julius Baker, 1951" on Page # 3 of the score. Library.juilliard.edu . (Hozzáférés: 2018. november 26.)
  92. ↑ See handwritten dedication notes "written for and dedicated to my friend Julius Baker, 1951" on Page # 3 of the score. Library.juilliard.edu . (Hozzáférés: 2018. november 26.)
  93. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 4- Item #6 p. 18, 10" audio disc recording of "Desert Rhumba" & "The Rattlesnake" (La Culebra)" composer John Serry, flautist Julie Baker" in the John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  94. ↑ International Musician – "Accordion Instrument Played with A Smile", Hope Stoddard, May 1951, p. 10-11 Contributing writers Charles Nunzio & Sergei Matsusewitch – Photograph of John Serry within the article published in the journal International Musician by the American Federation of Musicians posted on worldradiohistory.com
  95. ↑ International Musician – "Accordion Instrument Played with A Smile", Hope Stoddard, May 1951, p. 10-11 Contributing writers Charles Nunzio & Sergei Matsusewitch – Photographs of: Louis Del Monte, Pietro Frosini, Charles Nunzio, Charles Magnante , Anthony Galla-Rini, Art Van Damme within the article as published in the journal International Musician by the American Federation of Musicians posted on worldradiohistory.com
  96. ↑ PTM, Piano trade Publishing Vol. 50 1953 p. 46 John J. Serry accordionist on Google books
  97. ↑ Notes on the album Squeeze Play show "John Serry...appearing under the musical direction of Andre Kostelanetz" – See the album on archive.org
  98. ↑ William Howland Kenney. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. Oxford University Press, 191–. o. (2003. november 1.). ISBN 978-0-19-517177-8 
  99. ↑ Radio Daily-Television Daily. Publisher: Radio Daily Corporation 29 October 1954, p. 8 – "RCA Thesaurus cut a session of Latin-American music, polkas, and novelties with the John Serry Accordion Quartet", RCA Thesaurus John Serry on Google Books
  100. ↑ Eastman School of Music: Sibley Music Library: Ruth T. Watanabe Special Collections Dept.- "The John Serry Sr. Collection" – Items donated to the library for archive include an audio recording by the Serry Sextette and his Bel-Cordions for RCA Thesaurus on www.esm.rochester.edu
  101. ↑ The Billboard: "Selvin to Quit Peer for RCA" – Ben Selvin appointed as A & R Manager for RCA Victor Custom Records Division – Thesaurus Library, February 14, 1953 p. 17 on Google Books
  102. ↑ The Billboard: "Friends Fete Ben Selvin As He Leaves Industry" – In 1953 he started his decade with RCA Victor, March 23, 1963 p. 3 & p. 6 on Google Books
  103. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) article12 nevű lábjegyzeteknek
  104. ↑ a b "Celebrating National Music Week – Accordion Concert" : John Serry – p. 12...appearing with award winner Shirly Booth in "Time of the Cuckoo" See photograph and caption of John Serry in the "Reading Eagle" April 19, 1953 p. 12 on Google Books
  105. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection – Series 3: Scrapbook – contains a clipping with a photograph from the "New York Journal American" May 25, 1953 p. 15 showing the stage cast door from the Empire Theater with Shirley Booth pointing to signatures of the cast of "The Time of the Cuckoo" which includes John Serry's signature. The John J. Serry Sr. Collection p. 17 Series 3 Scrapbook Box 3 Item 1 archived at the University of Rochester Eastman School of Music on esm.rochester.edu
  106. ↑ "Library of Congress- Music and Phonorecords Catalog 1953", p. 881 – "U. S. School of Music" – John Serry arranger, Lawrence Welk editor on google.com/books
  107. ↑ "Statement of George R. Kemp, President U.S. School of Music" -The United States Congress Senate Committee on Post Office and Civil Service – 1962 p. 739 on Google Books
  108. ↑ "U. S. Music School – Music Lessons...From Fine Teachers....John Serry-piano accordion" on Google Books
  109. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) ArAAAAIBAJ p. 38 nevű lábjegyzeteknek
  110. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder 4- Folder 8 p. 14 as archived at the University of Rochester Eastman School of Music
  111. ↑ "Dot Album Discography" DLP-3024 Squeeze Play – John Serry (1956) on bsnpubs.com
  112. ↑ Dot into Pkgs, 22–. o. (1956. szeptember 8.) 
  113. ↑ a b Review of album Squeeze Play, p. 22 in The Billboard, 1 December 1956
  114. ↑ Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. pp. 466/7. ISBN 1-85227-937-0
  115. ↑ "Billy Vaughn is Dead; Jazz Musician was 72", New York Times Obituary -"Billy Vaughn was music director for Dot Records", September 28, 1991 on Google Books
  116. ↑ "Billy Vaughn" Biography on encyclopedia.com
  117. ↑ Gilliland, John: T-Z – Interview Index (audio). Pop Chronicles. Digital.library.unt.edu, 1969
  118. ↑ Biography of Billy Vaughn : Vaughn becomes music director of Dot Records in 1954 on grandorchestras.com
  119. ↑ a b c Billboard, 1956. december 1.
  120. ↑ a b c d e Review of the album "Squeeze Play" in "The Cash Box" magazine – See Album Reviews column on December 8, 1956 p. 38 on americanradiohistory.com
  121. ↑ Notes on the album Squeeze Play describe Serry's oringinal composition Garden In Monaco – See the album on archive.org
  122. ↑ "Garden in Monaco"; composer John Serry on BMI Songview catalog
  123. ↑ Chicago Musette, John Serry. Vintagemusic.fm . (Hozzáférés: 2018. november 26.)
  124. ↑ a b BnF Catalogue général. Catalogue.bnf.fr , 2018. november 26. (Hozzáférés: 2018. november 26.)
  125. ↑ a b John Serry – Topic. YouTube . (Hozzáférés: 2018. november 26.)
  126. ↑ Ballroom in Dreamland - Audio album (Dot #5006) featuring performances by the Billy Vaughn Orchestra and the John Serry Orchestra. See credits for Track B3. "Ballroom in Dreamland" on cdandlp.com
  127. ↑ a b Library of Congress Copyright Office, American Rhapsody, Composer: John Serry Sr., Copyright: Alpha Music, New York, New York, 1957
  128. ↑ Music Trades: "Accordion Orchestra Featured on New Coral 12" Record" Vol. 109, 1961 p. 84 John Serry on Google Books
  129. ↑ Pietro The Billboard- Reviews and Ratings of New albums: "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 Pietro Deiro Presents the Accordion Orchestra on Google Books
  130. ↑ The Coral Album Discography. Edwards, David. Callahan, Mike. Eyrles, Patrice. Watts, Randy. Neely, Timothy. April 27, 2014. CRL-57323 "Pietro Deiro Presents the Accordion Orchestra" (1960) on bsnpubs.com
  131. ↑ University of Missouri Kansas City (UMKC) : "Pietro Deiro Presents the Accordion Orchestra" (Sound recording) under the direction of Joe Biviano, Coral Records (CRL-57323, 1960) See the album credits listed on the album cover which include "John Serry, Eugene Ettore, Carmen Carrozza and Angelo Di Pippo", Pietro Deiro Presents the Accordion Orchestra on worldcat.org
  132. ↑ Pietro The Billboard- Reviews and Ratings of New albums "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 Pietro Deiro Presents the Accordion Orchestra on Google Books
  133. ↑ "Pietro Deiro Presents the Piano Accordion" See album cover notes. on Worldcat.org
  134. ↑ University of Missouri Kansas City (UMKC) : "Pietro Deiro Presents the Accordion Orchestra" (Sound recording) under the direction of Joe Biviano, Coral Records (CRL-57323, 1960) See the album credits listing songs and composers, Pietro Deiro Presents the Accordion Orchestra on worldcat.org
  135. ↑ Pietro The Billboard- Reviews and Ratings of New albums: "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 Pietro Deiro Presents the Accordion Orchestra on Google Books
  136. ↑ The Library of Congress Copyright Office – Public Catalog 1978 – Present, "Concerto in C major for Free Bass Accordion" (Revised for Piano), Composer: John Serry Sr.. Cocatalog.loc.gov , 2002
  137. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection score "Concetro in C Major (1967) for Free Bass Accordion " Folder 15 & 16 p. 10 archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  138. ↑ a b Music in American Life: An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture. Edmondson, Jacqueline. ABC-CLIO, 2013, p. 3. "Accordion" – Accordion & rock and roll on GoogleBooks.com
  139. ↑ Music Around The World: A Global Encyclopedia . Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 4 Accordion and rock and roll music on Google Books
  140. ↑ Music Around The World: A Global Encyclopedia . Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 4 "Accordion" – the accordion is seen as a square relic and replaced by the guitar during the 1960s on GoogleBooks.com
  141. ↑ Music in American Life: An An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture. Edmondson, Jacqueline. ABC-CLIO, 2013, p. 3. "Accordion" – In the late 1950s young people reject the accordion as old fashioned & take up the electric guitar, electric piano and electronic organ on GoogleBooks.com
  142. ↑ "Squeeze This: A Cultural History of the Accordion in America". Jacobson, Marion. University of Illinois Press, 2012, p. 67 on google.com/books
  143. ↑ The New York Times, 21 June 1964, p. 84
  144. ↑ The New York Times, 9 June 1965, p. 47
  145. ↑ The New York Times, 14 June 1987, p. LI22
  146. ↑ The New York Times14 June 1987, P. New York Region
  147. ↑ a b Mitchell, Ellen. „Interfaith Chapels in Demand”, The New York Times, 1987. június 14. (Hozzáférés: 2018. november 26.) 
  148. ↑ "Beyond Chrismukkah: the Christian-Jewish Interfaith Family". Mehta, Samira K., university of North Carolina Press, 2018, p. 22 on google.com/books
  149. ↑ Rabbi Nathaniel Schwart officiates at the C. W. Post Interfaith Chapel
  150. ↑ Rabbi Nathaniel Schwartz and Rev. John Heinlein officiate at the C. W. Post Interfaith Chapel
  151. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection: Series 3, p. 6 – Scrapbook containing musical programs as archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  152. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection score "Processional March (1951, Revised for Organ 1968)" Folder 18 p. 10 archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  153. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection score "Concetro in C Major (1967) for Free Bass Accordion " Folders: 26, 27, 28, p. 12 archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  154. ↑ Allegro, American Federation of Musicians, New York, January 2004, Vol CIV, No. 1. Archiválva 2006. május 28-i dátummal a Wayback Machine-ben.
  155. ↑ Players. National Collegiate Players, 2018. november 26. (Hozzáférés: 2018. november 26.)
  156. ↑ The New Records. Latin American Music – Alfredo Antonini and Viva America orchestra H. Royer Smith Co., Philadelphia, PA, Vol. 14, No. 8 October 1946, P. 6-7 Latin American Music – Alfredo Antonini and Viva America Orchestra critical review of the album in The New Records P. 6-7 on archive.org
  157. ↑ Pietro The Billboard- Reviews and Ratings of New albums: "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 Pietro Deiro Presents the Accordion Orchestra on Google Books
  158. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Desert Rumba" score p. 10 John J. Serry Collection archived at the University of Rochester
  159. ↑ The Library of Congress Copyright Office, Glissando, Composer John Serry, 1946, Copyright #EP8078 Catalog of Copyright Entries 1946 Musical Compositions Title Index New Series Vol. 41 Pt. 3, Pg. 179
  160. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Glissando" score p. 9 John J. Serry Collection archived at the University of Rochester
  161. ↑ Tarantella by John Serry archived at Oxford University, London. worldcat.org , 1946 (Hozzáférés: 2023. július 20.)
  162. ↑ Tchaikovsky, Peter Ilich: Valse ... Arranged by John Serry. Accordion Solo. The europeanlibrary.org , 1946 (Hozzáférés: 2018. november 26.)
  163. ↑ Tchaikovsky, Peter Ilich: Valse...arranged by John Serry. Accordion Solo. worldcat.org , 1946 (Hozzáférés: 2023. július 20.)
  164. ↑ "CD Review: The K Trio Images". The Free-Reed Review, Henry Doktorski
  165. ↑ Fantasy in F by John Serry archived at Oxford University, London. worldcat.org , 1946 (Hozzáférés: 2023. július 20.)
  166. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Fantasy in F" score p. 9, orchestral arrangement score p. 13 John J. Serry Collection archived at the University of Rochester
  167. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Invitation to Jive" score p. 8 John J. Serry Collection archived at the University of Rochester
  168. ↑ The Library of Congress Copyright Office, Consolation Waltz,Composer John Serry, O.Pagani & Bro., New York, 29 November 1949, Copyright # EP58852 Library of Congress Copyright Office Catalog Published Music 1951 Vol.5 Part 5a, #1 P. 605 on Books.google.com
  169. ↑ The Library of Congress Copyright Office, Uncle Charlie's Polka,Composer John Serry, O. Pagani & Bro., New York, 29 November 1949, Copyright # EP58854 Library of Congress Copyright Office Catalog Published Music 1951 Vol.5 Part 5a, #1 P. 605 on Books.google.com
  170. ↑ The Library of Congress Copyright Office, Bugle Polka,Composer John Serry, O.Pagani Bro., New York, 29 November 1949 Copyright #EP5883 Library of Congress Copyright Office Catalog Published Music 1951 Vol.5 Part 5a, #1 P. 605 on Books.google.com
  171. ↑ The Bugle Polka by John Serry (1949) on Worldcat.org
  172. ↑ Sonora Records 78rpm numerical listing discography. 78discography.com . (Hozzáférés: 2018. november 26.)
  173. ↑ The Library of Congress Copyright Office, Leone Jump, Composer John Serry, 1946, Copyright # EP8079 Catalog of Copyright Entries 1946 Musical Compositions Title Index New Series Vol. 41 Pt. 3, Pg. 355
  174. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Leona Jump" orchestral score for 3 accordions, bass, rhythmic guitar & electric guitar p. 8 John J. Serry Collection archived at the University of Rochester
  175. ↑ The Library of Congress Copyright Office,La Culebra, Composer John Serry Sr., March 7, 1951, Copyright # EU 233726
  176. ↑ John Serry Sr. 1915 – 2003 La Culebra. Worldcat.org . (Hozzáférés: 2018. november 26.)
  177. ↑ La Culebra – Flute solo, composer John Serry & dedicated on the score as "written for and dedicated to my friend Julius Baker, 1951" in the Julius Baker Music Collection Archive on Julicat at library.juilliard.edu
  178. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection ""La Culebra" a score p. 8 & p. 9 score John J. Serry Collection archived at the University of Rochester
  179. ↑ The Library of Congress Copyright Office, African Bolero Composer: John Serry Sr., March 7, 1951, Copyright # EU 233725
  180. ↑ John Serry Sr. 1915 – 2003 – African Bolero. Worldcat.org . (Hozzáférés: 2018. november 26.)
  181. ↑ Peter Jay Sharp Special Collections – Julius Baker Collection
  182. ↑ African Bolero – Flute solo, composer John Serry & dedicated on the score as "written for and dedicated to my friend Julius Baker, 1951", in the Julius Baker Music Collection Archive on Julicat at library.juilliard.edu
  183. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "African Bolero" score p. 9 John J. Serry Collection archived at the University of Rochester
  184. ↑ a b LC Catalog – Item Information (Full Record) 
  185. ↑ The Library of Congress Copyright Office, The Syncopated Accordionist, Composer John Serry a.k.a. John Serrapica, Charles Colin, New York 2 March 1953, Copyright #EP69650 Catalog of Copyright Entries 1953 Published Music Jan-Dec, Vol 7, Pt 5A, Pg. 257
  186. ↑ The Syncopated Accordionist: Studies in Syncopation (1953) by John Serry on Worldcat.org
  187. ↑ "Accordion Method Book 1 & 2" by John Serry on reverb.com
  188. ↑ The Library of Congress Copyright Office, Rhythm-airs for the Accordionist Charles Colin & Bigs Bower, editor John Serry, Charles Colin, New York Vol. 1-2, 2 March 1953, Copyright #EP69648-69649 Catalog of Copyright Entries 1953 Published Music Jan-Dec Vol 7, Pt 5a, Pg. 58
  189. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Accordion Quartet Arrangements" score p. 13 The John J. Serry Sr. Collection archived at the University of Rochester
  190. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Accordion Quartet Arrangements" score p. 13 The John J. Serry Sr. Collection archived at the University of Rochester
  191. ↑ The Library of Congress Copyright Office, Top Ten Accordion Solos – Easy To Play, Publisher Broadcaste Music Inc. (BMI), Arranger John Serry, 12 July 1954, Copyright # A146305 Catalog of Copyright Entries Vol 8 Pt.1 Books and Pamphlets July-December 1954, p. 1405
  192. ↑ Junior Accordion Band Series by John Serry on ebay.com
  193. ↑ a b c d BMI – Repertoire Search. Repertoire.bmi.com . (Hozzáférés: 2018. november 26.)
  194. ↑ a b c d BMI-Songview Catalogue – songs by John Serry on repertoire.bmi.com
  195. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Tango of Love" score p. 13 John J. Serry Collection archived at the University of Rochester
  196. ↑ The Library of Congress Copyright Office, The Lost Tango, m. John Serry, Words Edward Steinfeld, New York, New York, 14 June 1956 Copyright #EU440575 Library of Congress Catalog of Copyright Entries 1956 Unpublished Music Jan-Dec. Vol. 10, Part 5a, Pg. 134 on archive.org
  197. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Garden in Monaco" score p. 14 John J. Serry Collection archived at the University of Rochester
  198. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Rockin' the Anvil" score p. 14 John J. Serry Collection archived at the University of Rochester
  199. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Cocktails in Spain" score p. 14 John J. Serry Collection archived at the University of Rochester
  200. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Spooky Polka" score p. 10 John J. Serry Collection archived at the University of Rochester
  201. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Reeds in a Rush" draft score p. 10 John J. Serry Collection archived at the University of Rochester
  202. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "American Rhapsody" score p. 10 The John J. Serry Sr. Collection archived at the University of Rochester
  203. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder 4 p. 14 archived at the University of Rochester Eastman School of Music
  204. ↑ https://www.esm.rochester.edu/sibley/files/John-J-Serry-Sr-Collection.pdf Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder 5 p. 14 archived at the University of Rochester Eastman School of Music]
  205. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder 6 p. 14 archived at the University of Rochester Eastman School of Music
  206. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder 7 p. 14 archived at the University of Rochester Eastman School of Music
  207. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection Series 2: Oversized Manuscripts: Folder p. 14-15 archived at the University of Rochester Eastman School of Music
  208. ↑ a b c "Rochester Review" July-August 2008, Vol 70, No. 6 University of Rochester Alumnus magazine: River Campus (See Class of 1980) – Son of John Serry notes that his father's compositions and recordings have been submitted into the Sibley Library for archive
  209. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Processional March" score p. 10 John J. Serry Sr. Collection archived at the University of Rochester
  210. ↑ The Library of Congress Copyright Office,Falling Leaves, Composer: John Serry Sr., May 21, 1976, Copyright # EU 233726
  211. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Falling Leaves" score p. 11 John J. Serry Sr. Collection archived at the University of Rochester
  212. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Elegy" score p. 10 The John J. Serry Collection archived at the University of Rochester
  213. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Three Songs of Love" pp. 11-12 The John J. Serry Sr Collection archived at the University of Rochester
  214. ↑ The Library of Congress Copyright Office, A Savior Is Born, Composer: John Serry Sr., November 18, 1991, Copyright # PAU 1-575-137 A Savior is Born on THe United States Copyright Office Online Catalog cocatalog.loc.gov
  215. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "A Savior Is Born" score p. 12 The John J. Serry Sr. Collection archived at the University of Rochester
  216. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Dreams Trilogy" score p. 11 The John J. Serry Sr. Collection archived at the University of Rochester
  217. ↑ The Library of Congress Copyright Office, The Lord's Prayer, Composer: John Serry Sr., September 2, 1992, Copyright # PAU 1-665-838 The Lord's Prayer on The United States Copyright Office Online Catalog cocatalog.loc.gov
  218. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "The Lord's Prayer" score p. 12 The john Jerry Sr Collection archived at the University of Rochester
  219. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Lamb of God" score p. 12 The John J. Serry Sr. Collection archived at the University of Rochester
  220. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "Five Children's Pieces For Piano" score p. 11 The John J. Serry Sr. Collection archived at the University of Rochester
  221. ↑ Ruth T. Watanabe Special Collections Home. Sibley Music Library , 2019. november 13. (Hozzáférés: 2022. december 12.) Performers can locate the scores to "American Rhapsody" and "Concerto For Free Bass Accordion" which were donated to the Eastman School of Music's Sibley Music Library's – Ruth T. Watanabe Special Collections Department by contacting the archivist here.
  222. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection archived at the University of Rochester
  223. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "American Rhapsody" score Folder 12 & 19 p. 10 The John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music
  224. ↑ The Library of Congress Copyright Office – Public Catalog 1978 – Present, "Concerto in C major for Free Bass Accordion" (Revised for Piano), Composer: John Serry Sr.. Cocatalog.loc.gov , 2002
  225. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection score "Concetro in C Major (1967) for Free Bass Accordion " Folder 15 & 16 p. 10 archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on esm.rochester.edu
  226. ↑ Squeeze play (2018. november 26.). OCLC 12935411 
  227. ↑ The John J. Serry Sr Collection "Squeeze Play" audio recording of compositions and arrangements by John Serry in "The John J. Serry Sr. Collection" p. 19 at the Eastman School of Music on esm.rochester.edu
  228. ↑ a b Eastman School of Music: Sibley Music Library: Ruth T. Watanabe Special Collections Dept. at www.esm.rochester.edu
  229. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection "John Serry Sextette" audio recording for RCA Thesaurus of arrangements and performances by John Serry at the RCA Victor Sudios in 1954 p. 18 The John J. Serry Sr. Collection archived at the University of Rochester
  230. ↑ Radio Daily-Television Daily. Publisher: Radio Daily Corporation 29 October 1954, p. 8 – "RCA Thesaurus cut a session of Latin-American music, polkas, and novelties with the John Serry Accordion Quartet", RCA Thesaurus John Serry on Google Books
  231. ↑ Ballroom in Dreamland - Audio album (Dot #5006) featuring performances by the Billy Vaughn Orchestra and the John Serry Orchestra. See credits for Track B3 "Ballroom in Dreamland" on cdandlp.com
  232. ↑ The Billboard- Reviews and Ratings of New albums "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 "Pietro Deiro Presents the Accordion Orchestra" Critical Review of the album on Google Books
  233. ↑ "Pietro Deiro Presents the Piano Accordion"- See the performers' credits and song listings on the record album on Worldcat.org
  234. ↑ Music Trades: "Accordion Orchestra Featured on New Coral 12" Record" Vol. 109, 1961 p. 84 John Serry listed as a member of the accordion orchestra on the new Coral record. John Serry on Google Books
  235. ↑ University of Missouri Kansas City (UMKC) : "Pietro Deiro Presents the Accordion Orchestra" (Sound recording) under the direction of Joe Biviano, Coral Records (CRL-57323, 1960) See the album credits listed on the album cover which include "John Serry, Eugene Ettore, Carmen Carrozza and Angelo Di Pippo", Pietro Deiro Presents the Accordion Orchestra on worldcat.org
  236. ↑ Accordion capers (2018. november 26.). OCLC 48679834 
  237. ↑ Billboard. Alpha's 12" Latin-Vinylites, New York, Vol. 58 No. 13 30 March 1946, P. 22 Alpha Records release of Alfredo Antonini and Viva America Orchestra in Billboard on books.google.com
  238. ↑ Granada. Archive.org , 1946. április 30. (Hozzáférés: 2018. november 26.)
  239. ↑ "Chiquita Banana" performed by the Alfredo Antonini Viva America Orchestra & vocalist Elsa Miranda on archive.org
  240. ↑ Discography of American Historical Recordings: By the Cradle, John Serry accordionist on uscb.edu
  241. ↑ Discography of American Historical Recordings: Katusha, John Serry accordionist on uscb.edu
  242. ↑ Discography of American Historical Recordings: Hobo Song, John Serry accordionist on uscb.edu
  243. ↑ Discography of American Historical Recordings: Dark Night, John Serry accordionist on uscb.edu
  244. ↑ John Serrapica as instrumentalist in the Charles Magnante Accordion Band in 1941 at the University of California Santa Barbara Library's Discography of American Historical Recordings at adp.library.ucsb.edu
  245. ↑ a b c John Serrapica as a member of the Charles Magnante Accordion Band on the University of California Santa Barbara Library's Discography of American Historical Recordings at adp.library.ucsb.edu
  246. ↑ Tres Palabras. Archive.org . (Hozzáférés: 2018. november 26.)
  247. ↑ Esta Noche Ha Pasado. Archive.org . (Hozzáférés: 2018. november 26.)
  248. ↑ Asi – Frontera Project. Frontera.library.ucla.edu . (Hozzáférés: 2018. november 26.)
  249. ↑ Somos Diferentes – Frontera Project. Frontera.library.ucla.edu . (Hozzáférés: 2018. november 26.)
  250. ↑ La Palma; Rosa Negra. Archive.org . (Hozzáférés: 2018. november 26.)
  251. ↑ a b c Viva Sevilla!; Noche de Amor; Mi Sarape; Que Paso?; El Bigote de Tomas; De Donde?. Archive.org , 1942. január 28. (Hozzáférés: 2018. november 26.)
  252. ↑ a b Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) Rust1975 nevű lábjegyzeteknek
  253. ↑ a b John Serry's audio recordings with the Shep Fields Rippling Rhythm Orchestra on Discography of American Historical Recordings
  254. ↑ Audio recording with the Shep Fields Orchestra – "An Old Curiosity Shop" (1938) on the Discography of American Historical Records adp.library.ucsb.edu
  255. ↑ The big broadcast of 1938 (2018. november 26.). OCLC 934654999 
  256. ↑ Protective Shield For Collapsible Paste Tubes #US 3269604 A Inventor John Serry as listed on Google.com/patents
  257. ↑ "Official Gazette: United States Patent Office" : # 3,269,604 -Protective Shield For Collapsible Paste Tubes filed by John Serry, August 30, 1966, p. 1973 on google.com/books
  258. ↑ Canadian Patent Office Record 1967 Vol 95, p. 7659 -"Protective Shield for Collapsible Paste Tubes...John Serry, USA...May 1966 Serial # 980,449 on Google Books
  259. ↑ a b Accordion News & John Serry on Google Books
  260. ↑ Accordion News & John Serry on Google Books
  261. ↑ [https://www.google.com/search?q=Accordion+World+An+Open+Letter+to+Accordion+Manufacturers+John+Serry&sca_esv=4b3db9351712b765&udm=36&ei=pqtEZ_h5suTk2g-G0KDYCA&ved=0ahUKEwj45Jeh-feJAxUyMlkFHQYoCIsQ4dUDCA8&uact=5&oq=Accordion+World+An+Open+Letter+to+Accordion+Manufacturers+John+Serry&gs_lp=EhBnd3Mtd2l6LW1vZGVsZXNzIkRBY2NvcmRpb24gV29ybGQgQW4gT3BlbiBMZXR0ZXIgdG8gQWNjb3JkaW9uIE1hbnVmYWN0dXJlcnMgSm9obiBTZXJyeUjvHVDCCFiaGXABeACQAQCYAWWgAe8CqgEDNC4xuAEDyAEA-AEBmAIEoAKfAsICCxAAGLADGKIEGIkFwgILEAAYgAQYsAMYogTCAgUQIRigAcICBRAhGKsCmAMAiAYBkAYEkgcDMi4yoAeNGg&sclient=gws-wiz-modeless "Accordion World - Those Neglected Basses" Serry, John. Gerstner Publications 1939, Vol 4 p. 8 "Accordion World An Open Letter to Accordion Manufactureres" on Google Books
  262. ↑ Accordion World Vol. 26 No. 1, April 1961, p. 2 "Jazz and the Student Accordionist" by John Serry on Google Books
  263. ↑ Eastman School of Music – University of Rochester – Sibley Music Library: John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music
  264. ↑ The John J. Serry Sr Collection archived at the Eastman School of Music on esm.rochester.edu
  265. ↑ Discograph of American Historical Recordings – University of California Santa Barbara: Audio recordings of John Serry in the Shep Fields Rippling Rhythm Orchestra
  266. ↑ Requiem – Associated Musicians of Greater New York – Local 802. Associated Musicians of Greater New York – Local 802 , 2004. január 1. (Hozzáférés: 2018. november 26.)
  267. ↑ Forráshivatkozás-hiba: Érvénytelen <ref> címke; nincs megadva szöveg a(z) Serrapica p. 398 nevű lábjegyzeteknek
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